Amazon.co.uk Review
Wives and Daughters is set in the mid-19th century in the small village of Hollingford, in rural England. The Industrial Revolution hasn't yet thrown the country into turmoil, and the railway is just beginning to cut a swathe through the land. It sounds old-fashioned, (and there are themes in the novel which date it) but Gaskell's witty, warm tale of love and longing is surprisingly contemporary. Much of the fun in
Wives And Daughters comes from Gaskell's sprightly characterisation, and willful insistence on the unconventional hero and heroine, both worthy, principled, and a little tedious. Molly Gibson, the doctor's daughter, is intelligent, spiritedly dutiful and given to much silent endurance. The object of her affections is Squire Hamley's younger son "Good Roger! Kind Roger! Dear Roger!", a sort of duller Darwin. The course of true love doesn't run smooth, thanks in the main, to the scintillating Cynthia, Molly's step sister. Cynthia is a glorious creation, willful, sinful and incredibly attractive, who, with her French education, strolls through the novel with "the free stately step of some wild animal of the forest"--moving almost, as it were, to the continual sound of music. Cynthia's mother, the epitome of snobbery and self-deceit, whose "words were ready-made clothes, and never fitted individual thoughts" adds to the piquant entertainment. The novel revolves around the trails and tribulations, the questionable reputations of the inhabitants of Hollingford. It was Gaskell's last and most mature work, powerful and engrossing in structure and unfinished. As her daughter reported, in January 1866, Elizabeth Gaskell died: "quite suddenly, without a moments warning, in the midst of a sentence" leaving the last chapter incomplete.
Wives and Daughters is just a few pages short of an all embracing happy ending.
--Eithne Farry
